This movie is going to be what movie's are made for.
Even so, it startles and charms and delights largely because Mr. Jonze’s filmmaking exceeds anything he’s done in either of his inventive previous features, “Being John Malkovich” (1999) and “Adaptation” (2002). With “Where the Wild Things Are” he has made a work of art that stands up to its source and, in some instances, surpasses it.See? Manohla digs it.
Yet these are minor complaints about a film that often dazzles during its quietest moments, as when Max sets sail, and you intuit his pluck and will from the close-ups of him staring into the unknown. He looms large here, as we do inside our heads. But when the view abruptly shifts to an overhead shot, you see that the boat is simply a speck amid an overwhelming vastness. This is the human condition, in two eloquent images.via The New York Times
Anticipation overcomes me.
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